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- Ancient thought
- Thinkers of yesterday as seen by the philosophers of today
- Historical philosophical texts interpreted by great actors
- History
- Books (in French)
- Social science
- Historical words
- Audiobooks & Literature
- Our Catalog
- Jazz
- Blues
- Rock - Country - Cajun
- French song
- World music
- Africa
- France
- Québec / Canada
- Hawaï
- West Indies
- Caribbean
- Cuba & Afro-cubain
- Mexico
- South America
- Tango
- Brazil
- Tzigane / Gypsy
- Fado / Portugal
- Flamenco / Spain
- Yiddish / Israel
- China
- Tibet / Nepal
- Asia
- Indian Ocean / Madagascar
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- Classical music
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PATRICK FAVRE TRIO
Ref.: LLL327
Artistic Direction : JEAN LOUIS WIART
Label : LA LICHERE / FREMEAUX & ASSOCIES
Total duration of the pack : 43 minutes
Nbre. CD : 1
« Music that doesn't come as a continual contrast, with nuances of silence, is nothing more than more-or-less-well orchestrated noise. Music must contain silence, never let itself be forgotten and, above all, never have any regrets. Those words by poet Pierre Reverdy on the subject of music were probably uppermost in my mind for nearly every moment I spent composing the tunes that make up this third album, a record I decided to call “Humanidade”, the Portuguese word for Humanity. So it's filled with highly contrasted feelings that my music attempts to translate while heeding the architecture of the tunes in all their melodic, harmonic and rhythmical essences. » Patrick Favre
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PisteTitleMain artistAutorDurationRegistered in
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1InstinctPatrick Favre00:06:092009
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2SereinePatrick Favre00:06:032009
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3DistancePatrick Favre00:04:422009
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4NouvellePatrick Favre00:05:122009
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5HumanidadePatrick Favre00:05:072009
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6PremicePatrick Favre00:05:102009
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7Air de lunePatrick Favre00:03:212009
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8JeitinhoPatrick Favre00:04:072009
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9IdealPatrick Favre00:03:112009
Patrick Favre Trio Humanidade
« “Une musique qui n’est pas constamment en contraste, nuancée avec le silence, n’est que du bruit plus ou moins bien orchestré. Il faut que la musique contienne le silence, qu’elle ne se laisse jamais oublier, ni surtout regretter.” Sans doute cette phrase du poète Pierre Reverdy dévolue à la musique, a-t-elle accompagné mon travail de composition sur quasiment l’ensemble des thèmes qui figurent sur ce troisième album, que j’ai choisi d’appeler “Humanidade” (Humanité en portugais). Il est donc parcouru de sentiments très contrastés que ma musique tente de traduire, en veillant à l’architecture des thèmes dans leur essence mélodique, harmonique et rythmique. »
Patrick Favre
Discographie
1. Instinct 6:10
2. Sereine 6:04
3. Distance 4:43
4. Nouvelle 5:12
5. Humanidade 5:08
6. Premice 5:10
7. Air de lune 3:21
8. Jeitinho 4:08
9. Ideal 3:12
Patrick Favre : piano, composition
Gildas Boclé : contrebasse
Karl Jannuska : batterie
Production Axolotl Jazz pour label La Lichère / Frémeaux & Associés
Enregistré et mixé en septembre 2009 au studio La Buissonne par Gérard de Haro
Mastering : Nicolas Baillard
Conception graphique et Photo : Jean-Christophe Wiart
Photos : X (D.R.)
Traduction anglaise : Martin Davies
Merci à Gérard de Haro et Jean-Louis Wiart pour la constance de leur soutien et leur amitié. A Gildas et Karl pour leur talent
www.patrickfavretrio.com - www.axolotl-jazz.com www.fremeaux.com
PATRICK FAVRE - Après une formation classique au conservatoire d’Avignon, Patrick Favre se passionne pour le jazz en participant à différentes formations. Depuis 1989, il s’est régulièrement produit en duo avec le contrebassiste Louis Petrucciani, le contrebassiste Jean René Dalerci, et le saxophoniste Charles Tyler. En 1995, il rencontre le clarinettiste Perry Robinson, et réalise avec lui, en duo, plusieurs concerts et enregistrements live du disque “Mouvement”. Parallèlement, il joue ses compositions en trio. En 2003, il enregistre le disque “Danse nomade” avec le contrebassiste Eric Surménian et le batteur Frédéric Jeanne. En 2006, “Intense”, au côté du contrebassiste Guillaume Séguron et du batteur Marc Mazzillo. Aujourd’hui son trio est formé de Gildas Boclé à la contrebasse et Karl Jannuska à la batterie.
GILDAS BOCLE - Après avoir reçu le premier prix des CNR de Rennes et de Versailles (1980-82) il rejoint le Berklee College of Music de Boston. Il y joue notamment avec Chick Corea et Eddie Gomez. De 1986 à 1989, il est membre du quintet de Gary Burton et se produit dans de grands festivals. Il intègre ensuite l’orchestre de Maynard Ferguson au cours de tournées aux USA et au Japon. Au cours de sa carrière Gildas a joué avec Al Cohn, Dizzy Gillespie, Clark Terry, Michael Brecker, Pat Metheny, Diana Krall, Kenny Barron, Bill Carrothers et bien d’autres. Après avoir passé onze ans aux Etats-Unis il revient sur Paris où il partage la scène avec des musiciens tels qu’Aldo Romano, Didier Lockwood, Daniel Humair, Martial Solal, Stefano DiBatista… Il est co-leader du groupe “Keltic Tales“ avec son frère Jean-Baptiste.
KARL JANNUSKA - Batteur canadien, Karl a achevé une licence de musique en Jazz Performance avec “High distinction” à l’université Mc Gill de Montréal. Bénéficiaire de bourses des Conseils des Arts du Canada et du Québec en 1999, il passe neuf mois à New York pour étudier avec le batteur Tom Rainey. Il est devenu un des batteurs les plus demandés en France depuis son arrivée à Paris en 2001. Il a joué et/ou enregistré avec Lee Konitz, Randy Brecker, Brad Mehldau, Sheila Jordan, Dave Liebman, Mark Turner, Kurt Rosenwinkel, Kevin Hays, Peter Bernstein, David Binney, Ben Monder, David Linx, Rick Margitza, et Sara Lazarus. Sa discographie comprend plus d’une vingtaine d’enregistrements et son premier album en tant que leader et compositeur (“Liberating Vines”) sorti en 2004 sur le label Effendi a reçu un prix Opus en qualité d’Album de l’année Jazz / Musique du Monde. Son deuxième album “Thinking in colours” est sorti en septembre 2008 chez Cristal/Effendi records.
english notes
«Music that doesn’t come as a continual contrast, with nuances of silence, is nothing more than more- or less-well orchestrated noise. Music must contain silence, never let itself be forgotten and, above all, never have any regrets.» Those words by poet Pierre Reverdy on the subject of music were probably uppermost in my mind for nearly every moment I spent composing the tunes that make up this third album, a record I decided to call “Humanidade”, the Portuguese word for Humanity. So it’s filled with highly contrasted feelings that my music attempts to translate while heeding the architecture of the tunes in all their melodic, harmonic and rhythmical essences.
Patrick Favre
PATRICK FAVRE - After a classical music-education at the Conservatory in Avignon, Patrick Favre developed a passion for jazz and played with various groups. Since 1989 he’s appeared regularly with bassists Louis Petrucciani and Jean René Dalerci, and with saxophonist Charles Tyler. In 1995 he met the clarinettist Perry Robinson, and together they gave several concerts and made the ‘live’ record entitled “Mouvement”. In parallel, Favre has played his compositions in a trio format. In 2003 he recorded the album “Danse nomade” with bassist Eric Surménian and drummer Frédéric Jeanne, and in 2006 came “Intense”, recorded with bassist Guillaume Séguron and drummer Marc Mazzillo. His trio today features Gildas Boclé on contrabass and Karl Jannuska on drums.
GILDAS BOCLE - After winning the CNR First Prize in Rennes and Versailles (980-82), Gildas Boclé attended the Berklee College of Music in Boston where he played with Chick Corea and Eddie Gomez, among others. Between 1986 and 1989 he was a member of Gary Burton’s quintet, appearing at a number of festivals, and later he joined the Maynard Ferguson Orchestra to go on tour in The United States and Japan. During his career Gildas has played with Al Cohn, Dizzy Gillespie, Clark Terry, Michael Brecker, Pat Metheny, Diana Krall, Kenny Barron and Bill Carrothers, et al. On his return to Paris after living in America for eleven years, he played with the likes of Aldo Romano, Didier Lockwood, Daniel Humair, Martial Solal, Stefano DiBatista, etc. Together with his brother Jean-Baptiste, he co-leads the “Keltic Tales” group.
KARL JANNUSKA - Drummer Karl Jannuske, a Canadian, took his music degree in Jazz Performance with “High Distinction” at Montreal’s McGill University. He was awarded scholarships by the Arts Councils of Canada and Quebec in 1999 and spent nine months in New York studying under drummer Tom Rainey. Since his arrival in Paris in 2001, he has become one of France’s most sought-after percussionists. He has played and/or recorded with Lee Konitz, Randy Brecker, Brad Mehldau, Sheila Jordan, Dave Liebman, Mark Turner, Kurt Rosenwinkel, Kevin Hays, Peter Bernstein, David Binney, Ben Monder, David Linx, Rick Margitza and Sara Lazarus. With more than twenty recordings in his discography today, he released his first album—as leader and composer—in 2004 (“Liberating Vines”, Effendi), which was awarded an Opus Prize as ‘Album of the Year’ in the category Jazz/World Music. His second album, “Thinking in colours”, was released in September 2008 (Cristal/Effendi Records).
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