My account

My Shopping Cart

Louis Armstrong - The complete works

00 / 00

Louis Armstrong - The complete works

Réf. : FA1351 / FA1352 / FA1353 / FA1354 / FA1355 / FA1356 / FA1357 / FA1358 / FA1359 / FA1360 / FA1361 / FA1362 / FA1363 / FA1364 / FA1365

Listen extract

1923 - 1949 in 45 CDs

LOUIS ARMSTRONG , LOUIS ARMSTRONG , LOUIS ARMSTRONG , LOUIS ARMSTRONG , LOUIS ARMSTRONG , LOUIS ARMSTRONG , LOUIS ARMSTRONG , LOUIS ARMSTRONG , LOUIS ARMSTRONG

Réf. : FA1351 / FA1352 / FA1353 / FA1354 / FA1355 / FA1356 / FA1357 / FA1358 / FA1359 / FA1360 / FA1361 / FA1362 / FA1363 / FA1364 / FA1365

Artistic Direction : DANIEL NEVERS , DANIEL NEVERS & PATRICK FREMEAUX

Label : Frémeaux & Associés

Total duration of the pack : 52 hours 48 minutes

Nbre. CD : 45

Select a version :

Digital Version

€209.95

€299.25
CD Version

€335.00

€449.82
CD & Digital

€429.95

€749.07

This product is already in your shopping cart

A digital version of this product is already in your shopping cart

Desired quantity

Add to cart

Shipped within 24 to 48 hours.

Distinctions

Recommended by :

- R 10 CLASSICA REPERTOIRE

Presentation

The Frémeaux & Associés Complete Series usually feature all the original and available phonographic recordings and the majority of existing radio documents for a comprehensive portrayal of the artist.
The Louis Armstrong series is an exception to the rule in that the selection of titles by this American wizard is certainly the most complete as published to this day but does not comprise all his recorded works.
Patrick Frémeaux

INTEGRALE LOUIS ARMSTRONG VOL 1

CHIMES BLUES 1923-1924

Jazz is the only music I love. My discovery of King Oliver was of all importance (...). The most beautiful disc I know is the OkeH version of Mabel's Dream. Armstrong's second voice behind King Oliver brings tears to my eyes. Jean-Christophe Averty
The Frémeaux & Associés Complete Series usually feature all the original and available phonographic recordings and the majority of existing radio documents for a comprehensive portrayal of the artist.
The Louis Armstrong series is an exception to the rule in that the selection of titles by this American wizard is certainly the most complete as published to this day but does not comprise all his recorded works. Patrick Frémeaux

INTEGRALE LOUIS ARMSTRONG VOL 2

SUGAR FOOT STOMP 1924 - 1925

“Had Louis Armstrong, the inventor of swing and organizer of solo improvisation not existed, it is probable that jazz wouldn’t have developed in the same astonishing manner. Jazz reached its universal renown owing almost everything to Louis Armstrong.” André Hodeir
The Frémeaux & Associés Complete Series usually feature all the original and available phonographic recordings and the majority of existing radio documents for a comprehensive portrayal of the artist. The Louis Armstrong series is an exception to the rule in that the selection of titles by this American wizard is certainly the most complete as published to this day but does not comprise all his recorded works. Patrick Frémeaux

INTEGRALE LOUIS ARMSTRONG VOL 3

CORNET SHOP SUEY 1925-1926

“I still remember the Hot Five, with Lil and Louis Armstrong. It was really something else. Thanks to Louis I realized for the first time that jazz was a kind of music which was something else.” Nicholas Ray, film maker

The Frémeaux & Associés Complete Series usually feature all the original and available phonographic recordings and the majority of existing radio documents for a comprehensive portrayal of the artist. The Louis Armstrong series is an exception to the rule in that the selection of titles by this American wizard is certainly the most complete as published to this day but does not comprise all his recorded works. Patrick Frémeaux

INTEGRALE LOUIS ARMSTRONG VOL 4

WEST END BLUES 1926-1928

“In 1925, Armstrong plays faster and higher than any other trumpeter. With his supple and firm lips as well as his exceptional lung capacity, his attack is powerful and sharp, the vibrato is full and fiery, his playing bears a thousand different forms with a deep, radiant and voluminous sonority. This sonority is a world in itself. Apart from the soloist’s outlined phrases and with just one note, it comes over as significant, bringing a message from his heart.” Lucien Malson

The Frémeaux & Associés Complete Series usually feature all the original and available phonographic recordings and the majority of existing radio documents for a comprehensive portrayal of the artist. The Louis Armstrong series is an exception to the rule in that the selection of titles by this American wizard is certainly the most complete as published to this day but does not comprise all his recorded works. Patrick Frémeaux

INTEGRALE LOUIS ARMSTRONG VOL 5

TIGHT LIKE THIS 1928-1931

The irresistible ascension of the King of Jazz, from Chicago (1928) to Chicago (1931) with stop-overs at New York and Los Angeles and international recognition to boot. From Tight Like This to When It’s Sleepy Time Down South. Daniel Nevers

The Frémeaux & Associés Complete Series usually feature all the original and available phonographic recordings and the majority of existing radio documents for a comprehensive portrayal of the artist. The Louis Armstrong series is an exception to the rule in that the selection of titles by this American wizard is certainly the most complete as published to this day but does not comprise all his recorded works. Patrick Frémeaux

INTEGRALE LOUIS ARMSTRONG VOL 6

I GOTTA RIGHT TO SING THE BLUES - 1931-1933

“When I arrived in England and was welcomed everywhere, I was really surprised and couldn’t do everything. I couldn’t understand why all those people had come to hear me… Then I understood: they were record collectors!” (Louis ARMSTRONG – Swing that Music, 1937)

The Frémeaux & Associés Complete Series usually feature all the original and available phonographic recordings and the majority of existing radio documents for a comprehensive portrayal of the artist. The Louis Armstrong series is an exception to the rule in that the selection of titles by this American wizard is certainly the most complete as published to this day but does not comprise all his recorded works. Patrick Frémeaux

INTEGRALE LOUIS ARMSTRONG VOL 7

SWING THAT MUSIC - 1934-1937

Armstrong's unique recording session away from the USA (Paris 1934) and the return of the prodigal son back home to enter a new phase of his career which included the silver screens and radio. Daniel Nevers

The Frémeaux & Associés Complete Series usually feature all the original and available phonographic recordings and the majority of existing radio documents for a comprehensive portrayal of the artist. The Louis Armstrong series is an exception to the rule in that the selection of titles by this American wizard is certainly the most complete as published to this day but does not comprise all his recorded works. Patrick Frémeaux

INTEGRALE LOUIS ARMSTRONG VOL 8

PUBLIC MELODY N°1 - 1937-1938

“The Lord made only one Louis Armstrong. It took him time, and he’d take even more time to make another one! Just one Louis is enough for this world.” Lionel HAMPTON

The Frémeaux & Associés Complete Series usually feature all the original and available phonographic recordings and the majority of existing radio documents for a comprehensive portrayal of the artist. The Louis Armstrong series is an exception to the rule in that the selection of titles by this American wizard is certainly the most complete as published to this day but does not comprise all his recorded works. Patrick Frémeaux

INTEGRALE LOUIS ARMSTRONG VOL.9

JEEPERS CREEPERS - 1938-1941

“As changing and colourful as life itself, the artistry of Louis Armstrong goes straight to the heart in its audacity and truthfulness (…) His dynamic lyricism, that of a genius, sends us far back into ourselves to where great mysteries are formed, mysteries of flame and passion.” Carlos de RADZITZKY

The Frémeaux & Associés Complete Series usually feature all the original and available phonographic recordings and the majority of existing radio documents for a comprehensive portrayal of the artist. The Louis Armstrong series is an exception to the rule in that the selection of titles by this American wizard is certainly the most complete as published to this day but does not comprise all his recorded works. Patrick FREMEAUX

INTEGRALE LOUIS ARMSTRONG VOL. 10

RADIO DAYS 1941-1944

Radio? Of course he’d heard of it; Armstrong had been playing with Fletcher Henderson in 1924-1925, hadn't he? It was even how the young Cootie Williams discovered him, sneaking a listen to him on short-wave radio in the evenings... In 1926, in Chicago, the Hot Five had done broadcasts even though the group only existed on records. And then there were programmes in Europe. In 1937 Louis even became a genuine radio-star on a national network. But when the war came, patriotism was the word, thanks to the AFN and the AFRS transcriptions... Daniel Nevers

The Frémeaux & Associés Complete Series usually feature all the original and available phonographic recordings and the majority of existing radio documents for a comprehensive portrayal of the artist. The Louis Armstrong series is an exception to the rule in that the selection of titles by this American wizard is certainly the most complete as published to this day but does not comprise all his recorded works. Patrick FREMEAUX

INTÉGRALE LOUIS ARMSTRONG VOL. 11

JACK - ARMSTRONG BLUES - 1944-1945

“You can’t play nothing on trumpet that doesn’t come from him, not even modern shit. I can’t ever remember a time when he sounded bad. Never. Not even one time. He had great feeling up in his trumpet and he always played on the beat. I always just loved the way he played and sang.” Miles DAVIS

The Frémeaux & Associés Complete Series usually feature all the original and available phonographic recordings and the majority of existing radio documents for a comprehensive portrayal of the artist. The Louis Armstrong series is an exception to the rule in that the selection of titles by this American wizard is certainly the most complete as published to this day but does not comprise all his recorded works. Patrick FREMEAUX

INTEGRALE LOUIS ARMSTRONG VOL. 12

NEW ORLEANS 1946-1947

“What the Hollywood people do is never authentic. They always choose the actor whose looks and acting are on the other side of the world from the character whose life-story they’re telling.” Louis ARMSTRONG

INTEGRALE LOUIS ARMSTRONG VOL. 13

A SONG WAS BORN - 1947

“It is safe to say that among performing artists of the 20th century, only Charlie Chaplin was as universally recognized as Louis Armstrong.” Dan MORGENSTERN, Director, Institute of Jazz Studies, Rutgers University

INTEGRALE LOUIS ARMSTRONG VOL. 14

CONSTELLATION 48

“I like to say a few words, ha !... Ladies and gentlemen, I have the great pleasure to… telling you how much my boys and I have enjoyed our stay here in Nice… And I think this festival should become an institution, so that we can come back to your beautiful country every year. Thank you very very much…”. Louis ARMSTRONG, Nice (France), 28/02/1948

INTEGRALE LOUIS ARMSTRONG VOL. 15

THE KING OF THE ZULUS 1948-1949

“I first met Louis in Chicago, just after he left King Oliver’s band (…) Nobody could copy him. Some were trying to play the trumpet like he does, but nothing happened… It’s so simple: when he sings a sad song you cry, and when he sings a happy song, you laugh.” Bing CROSBY

The Frémeaux & Associés Complete Series usually feature all the original and available phonographic recordings and the majority of existing radio documents for a comprehensive portrayal of the artist. The Louis Armstrong series is an exception to the rule in that the selection of titles by this American wizard is certainly the most complete as published to this day but does not comprise all his recorded works. Patrick Frémeaux

All the collection Integral Louis Armstrong

View all products

Louis Armstrong - The complete works

CHIMES BLUES 1923-1924

SUGAR FOOT STOMP 1924 - 1925

CORNET SHOP SUEY 1925-1926

WEST END BLUES 1926-1928

TIGHT LIKE THIS 1928-1931

I GOTTA RIGHT TO SING THE BLUES - 1931-1933

SWING THAT MUSIC - 1934-1937

PUBLIC MELODY N°1 - 1937-1938

JEEPERS CREEPERS - 1938-1941

RADIO DAYS 1941-1944

JACK - ARMSTRONG BLUES - 1944-1945

NEW ORLEANS 1946-1947

A SONG WAS BORN - 1947

CONSTELLATION 48

THE KING OF THE ZULUS 1948-1949

CD 1

CD 2

CD 3

CD 1

CD 2

CD 3

CD 1

CD 2

CD 3

CD 1

CD 2

CD 3

CD 1

CD 2

CD 3

CD 1

CD 2

CD 3

CD 1

CD 2

CD 3

CD 1

CD 2

CD 3

CD 1

CD 2

CD 3

CD 1

CD 2

CD 3

CD 1

CD 2

CD 3

CD 1

CD 2

CD 3

CD 1

CD 2

CD 3

CD 1

CD 2

CD 3

CD 1

CD 2

CD 3

CHIMES BLUES 1923-1924

SUGAR FOOT STOMP 1924 - 1925

CORNET SHOP SUEY 1925-1926

WEST END BLUES 1926-1928

TIGHT LIKE THIS 1928-1931

I GOTTA RIGHT TO SING THE BLUES - 1931-1933

SWING THAT MUSIC - 1934-1937

PUBLIC MELODY N°1 - 1937-1938

JEEPERS CREEPERS - 1938-1941

RADIO DAYS 1941-1944

JACK - ARMSTRONG BLUES - 1944-1945

NEW ORLEANS 1946-1947

A SONG WAS BORN - 1947

CONSTELLATION 48

THE KING OF THE ZULUS 1948-1949